Glory Report (and some other stuff) Sunday, Jul 13 2008 

New dress: almost total success. Despite the bodice being constructed of four layers of linen and a mixture of steel and cable tie boning, it was remarkable cool (this may have been only by comparison with the fact that I’d just spent 2 weeks in Wind River, where it was much hotter, since most everyone else was complaining about the heat). Problems: grommets did not save time, as they failed to properly go through four layers and all had to be overcast right away. Need to make a thinner lacing cord (buying decent lacing = impossible). Discovered that a backlacing dress which I cannot get in or out of without assistance makes me claustrophobic (I’m going to make a front-lacing kirtle for supportive underwear and save this one for looking nice). I still need to put eyelets in on the sleeves to lace them on, but otherwise it’s done and I’m very happy with it.

Classes: I took fingerloop braiding (and am totally obsessed with it), lucet (need to actually get a lyre to make up my mind about it, as using my fingers hurts–but it is more practical for long lengths of cord), and bookbinding (which was very very exciting). I will post pictures eventually, I promise (although the book is not quite done, since I haven’t figured out how to decorate it or pasted the endpapers down).

All in all, it was an excellent event, aside from the fact that I am unpleasantly allergic to pine pollen and spent the whole weekend popping naproxen and feeling lousy.

At fighter practice last week I received the baronial A&S award, which made me cry (and also laugh hysterically, because the scroll text was…unconventional). And also, apparently there was a prize for the blank scroll competition, so now I have some cool new scribal toys to play with (and also a scarf, oddly).

Back to calligraphy layout, whee.

Awesome website! Tuesday, Mar 25 2008 

WARNING: This post is completely incoherent.

Natural Pigments is an awesome website–historical dry pigments, equipment for making paint, and watercolors made with natural pigments (somewhat pricey, but not too bad). The prices are decent (especially for malachite, azurite, and lapis lazuli) and they sell small quantities.

Of particular note,

Malachite (fine grind)
Lapis (premium)
Lapis (standard)
Lapis (Baikal)
Lapis (Afghanistan, standard)
Lapis (Afghanistan, standard)
Azurite (coarse)
Azurite (fine)
Genuine cinnabar (that price is practically UNREAL for natural cinnabar)
Vermilion (China)
Minium (red lead)
Orpiment
Jarosite (doesn’t look as bright a orpiment, but also doesn’t contain arsenic)
Rabbit skin glue (I really want to try glair + glue for Persian miniatures now…)
Lapis in a tube (pricey, but worth it if genuine–definitely looks granular enough)
Malachite in a tube
Vivianite (pretty! Can’t document it, though)
Gold Ochre (possible saffron substitute?)
Very reasonable price on genuine gold leaf (conveniently sold in a book rather than a larger quantity)
Shell gold (ditto)

They also have blue and green bice (copper pigments used pretty frequently in medieval times to substitute for lapis, azurite, and malachite).

The prices for lapis look almost too good to be true, but it DOES appear to be natural lapis rather than synthetic ultramarine. This company knows their Cennini, which is awesome, and they admit that the lapis is not prepared in the traditional manner (although they claim they will offer that eventually). There’s enough variation to the powders that it really does look natural. For $7.50, I can totally afford to order some and try it!

OMG I love these people.

The SCA needs to know about this! Making your own pigments is great (and they’re a resource for that), but I bet there are a lot of people who’d go for premixed watercolors with period pigments. The comment about lac lake being more lightfast than cochineal or madder lakes is interesting. And these have so much more texture than the standard watercolors.

I’m considering the possibility of making my own paints and storing them (on account of LAZINESS), but I’m not sure about spoilage. I wonder if I could use watercolor medium and simply use a pigment amount proportional to gouache rather than watercolor? I also let the saffron from last night dry out to see if I can rewet it reasonably. Lacquered watercolor tubes.

Article on making shell gold and icon painting

The website’s navigation is somewhat buggy — I had to use the search box at the top of the page to find anything.